Does a rose by any other name smell as sweet...through a mask? Can Romeo and Juliet fall in love if they’re always kept six feet apart?
As the Graduate Acting and Design for Stage and Film programs at Tisch School of the Arts carefully eased back into live theater in fall 2020 —performing to extremely limited audiences of NYU students and faculty—the stringent public health protocols that kept the cast, crew, and audience members safe also presented a new set of artistic challenges. Directors got creative, weaving social distancing into storylines, encouraging students to emulate the gestural stylings of silent movie actors, and even borrowing scene change tricks from 1950s live television. Scripts were adapted and intimate scenes reset so physical touch was simulated rather than actualized.
But there was no getting around the fact that actors had to keep their faces covered at all times. So costume designers were faced with a particularly tricky task: developing masks that would protect and keep actors comfortable while supporting a director’s vision and aesthetic.
In earlier productions of Clifford Odets’ Golden Boy and Jackie Sibblies Drury’s Mary Seacole, costume designers opted to keep masks neutral to help them blend into the production relatively unnoticed. But for the February production of Romeo and Juliet directed by Associate Arts Professor Brandon J. Dirden—in which a socially-distanced cast of 15 performed across two stages with live broadcasting between theaters—costume designers Lauren Carmen and Krista Intranuovo took a different approach, reimagining masks as expressive costume pieces that helped advance the story.
"stage" - Google News
February 11, 2021 at 12:45PM
https://ift.tt/3d0Jwos
Covid-safe on stage: a new frontier in costume design - NYU News
"stage" - Google News
https://ift.tt/2xC8vfG
https://ift.tt/2KXEObV
Bagikan Berita Ini
0 Response to "Covid-safe on stage: a new frontier in costume design - NYU News"
Post a Comment